產品系列 : 音響器材
產品型號 : Vi 3000
產品名稱 : 數位多軌混音器
| Frequency Response- Stagebox Mic input to Line output |
+0/-1dB, 20Hz-20kHz |
| AES/EBU In to AES/EBU Out | +0/-0.2dB, 20Hz-20kHz |
| THD | 22Hz-22kHz |
| Stagebox Mic In(min gain)to Local Line Out | <0.003% @ 1kHz |
| Stagebox Mic In(max gain)to Local Line Out | <0.020% @ 1kHz |
| Local Line In to Line Out | <0.003% @ 1kHz |
| Mic Input E.I.N | <-126dBu (150Ω source) |
| Residual Noise | -91dBu Stagebox line output; no inputs routed, Mix fader @0dB |
| CMRR | 80dB @ 1kHz |
| Sampling Frequency | 48kHz |
| Latency: Stagebox Mic Input to Local Line output | < 2ms @48kHz |
| AES/EBU Input Sample Rate | 32-108kHz (with SRC enabled) |
| DSP Resolution | 40-bit floating point |
| Internal Clock Accuracy | < +/- 50ppm |
| Internal Clock Jitter | < +/- 2ns |
| External Sync | BNC Wordclock |
| Input&Output Levels-Mic Inputs | +28dBu max |
| Input&Output Levels-Line Inputs | +22dBu max |
| Input&Output Levels-Line Outputs | +22dBu max |
| Input&Output Levels-Nominal Operating Level | +4dBu (-18dBFS) |
| Input&Output Impedances-Mic Inputs | 2k7Ω |
| Input&Output Impedances-All other analogue Inputs | >10kΩ |
| Input&Output Impedances-Line Outputs | <75Ω |
| Input&Output Impedances-AES/EBU Outputs | 110Ω |
| Oscillator | 20Hz to 20kHz/Pink/White Noise, variable level |
| Oscillator-Stagebox HP Filter | 80Hz fixed, 12dB per octave |
| Oscillator-Channel HP Filter | 20Hz-600Hz, 18dB per octave |
| Oscillator-Channel LP Filter | 1kHz-20kHz, 18dB per octave |
| EQ(Inputs and Bus Outputs)-HF | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving |
| EQ(Inputs and Bus Outputs)-Hi-Mid | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 |
| EQ(Inputs and Bus Outputs)-Lo-Mid | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 |
| EQ(Inputs and Bus Outputs)-LF | 20Hz-20kHz, +/-18dB, Q=0.3-8.7 or shelving |
| Metering | Internal 20-segment LED bargraphs plus 9-segment gain reduction meters for all inputs and Outputs. Peak hold variable from 0-2s. |
| Mains Voltage Operating Range | 90-264V, 47-63Hz, auto-ranging |
| Mains Power Consumption | 300W |
| Temperature/Humidity Range-Operating Temperature Range | 0°C to 45°C (32°F to 113°F) |
| Temperature/Humidity Range-Relative Humidity | 0% - 90%, non-condensing Ta=40°C (104°F) |
| Temperature/Humidity Range-Storage Temperature Range | -20°C to 60°C (-4°F to 140°F) |
| Height(Console Only) | 351mm (13.8") |
| Width(Console Only) | 1446mm (56.9") |
| Depth(Console Only) | 803mm (31.6") |
| Weight(Console Only) | 54kg (119lb) |
| Height(with standard shipping carton) | 595mm (23.5") |
| Width(with standard shipping carton) | 1580mm(62.2") |
| Depth (with standard shipping carton) | 950mm(37.4") |
| Weight(with standard shipping carton) | 96kg (212lb) |
| Height(with factory flightcase) | 1117mm(44.0") |
| Width(with factory flightcase) | 1530mm(60.3") |
| Depth(with factory flightcase) | 530mm(20.1") |
| Weight(with factory flightcase) | 141kg(311lb) |
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Virtual Vi offline set up - Set up your shows offline and load them into the Vi3000 via USB
- VM2 radio mic status monitoring - Monitor the status of SHURE ULX-D and QLX-D and HiQnet-compatible AKG radio mics directly from the console surface with realtime visual displays of battery life, RF status, mic muting and internal clipping.
- BSS DPR901ii Dynamic EQ - this acclaimed industry-standard DEQ is built in as standard with 8 instances available for inserting on any input or output channel. The DEQ can be used at the same time as the existing channel EQ and Dynamics sections.
- Copy/Paste channel bus and FX settings - Dedicated Copy and Paste buttons on the surface allow the settings of any channel, bus or FX section to be copied and pasted, dramatically cutting down the set up time.
- Copy/Paste processing elements - Operators can drill down to copy and paste even single processing elements, and the last paste operation can always be quickly reversed with an UNDO function.
- Settings Library - Along with a useful library of EQ and Dynamics settings, operators can store their own settings in the console or to a USB memory stick, making initial set up and transition between shows even easier.
- Sophisticated Cue List Management - Allows changes to be applied to multiple cues and recall scope to be set per snapshot.
- Advanced events integration - Cues can trigger or be triggered by MIDI or GPIO events, including MIDI timecode. Harman's HiQnet Venue recall function is tightly integrated within the Cue List.
- Automated microphone mixing - STUDER vMIX processing is built-in, with ability to seamlessly process up to two separate groups of 16 inputs, with clear and intuitive metering showing gain reduction.
- Snapshot crossfades - Snapshot recalls can use crossfades to transition smoothly from one setting to the next.
- ViSi Remote iPad® app - Control major functions and optimise your mix from anywhere in the venue. Adjust monitor levels from the stage. Includes control of EQ Dynamics and metering overview.
- All busses to stereo - All busses can be turned to stereo without tying up two busses, providing a massive 24 stereo mix capability – perfect for mixing large monitor applications.
- 4 Aux send points - With a total of 4 aux send points, monitor mix engineers have the flexibility to tailor mixes more closely to performers' requirements. Sends can be pre-EQ, precompressor, pre-fade or post-fade on a per channel/per bus basis.
- Aux VCA mode - VCA master faders can control the aux sends of their member channels on a per mix basis, with a FaderGlow illuminating in white to indicate the VCA's operation on the current mix. Monitor engineers can retain control of important global elements such as ambient mics while also having a monitor mix selected and adjusting groups of sources within the current mix using the Aux-VCAs. Blue illumination of FaderGlow indicates that the VCA is controlling the global channel level to all mixes.
- Auto-increase of ambient mic levels in monitor mixes between songs - Performers using in-ear monitors want to hear the audience between songs. No problem. Vi3000 has the facility to externally control the Gate or Ducking processing from a bus in the console, so all you have to do is insert a ducker on an ambient mic with an external source of the LR bus or a spare bus, and the audience level increases automatically when the performers stop playing.
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